News and views
Shifting Debates and Modern Translation
Programme Director Jon Morley looks forward to our upcoming event Translation in the Margins. Taking place on the 3rd of October at the Free Word Centre, this practical symposium will investigate issues around translation. Tickets are still available at only £15.
Translation in the Margins, which I’m curating at the Free Word Centre on Saturday 3 October, will explore the radical edges of literary translation in an interactive, writer-led format.
When I used to study Postcolonial Literature in a Translation Studies department, it always seemed to me that there was something of a rift between the two fields. At the annual postgraduate conferences, I was often the lone postcolonialist, listening with fascination while translators outlined cutting-edge research. I remember illuminating presentations on the inadequacies of the classic English translations of Chinese poetry; on the pressure that Thai and Sri Lankan translators faced from Buddhist supremacists when they sought to bring narratives that challenged nationalist myths to a wider international readership; on unexpurgated English versions of Osama Bin Laden’s speeches, whose rhetoric seemed uncomfortably close to that of emblematic heroes of Third World liberation struggles (Mandela, Castro or Cabral). Like the history of empire which I was discovering more about, translation seemed to turn the world on its head.
With performance techniques borrowed from the Caribbean poets I loved (including samples of reggae music in an analysis of poetry, for example) I was able in turn to seize the attention of the translators, exposing them to New World perspectives on literature. It always struck me as strange that, for translators, there was such novelty in mixing up ‘literature’ and common speech in this way, given that multilingualism and ‘the oral tradition’ are conditions of the developing world.
The debate is shifting. International Translation Day, In Other Words and Modern Poetry in Translation regularly include discussion of postcolonial ‘englishes’ and how they might serve to bring texts from Africa or Asia into European markets. But our event (funded by the Calouste Gulbenkian Foundation) seeks to refine the issue a little more, by including translators, writers and political activists on the same platform and seeing what kinds of discussion, what lines of enquiry, emerge.
Jamaican poet Olive Senior will start the day off with a keynote lecture that explores the issues from a new world, Caribbean perspective. Bestselling Korean novelist Sun-mi Hwang will talk about setting children’s fiction – stories so dark and thought-provoking that they’re categorised as books for adults when the English translations hit the shelves of Waterstones – in war zones and disputed territories. Meena Kandasamy, Tamil poet, activist and agitator will argue that translation is a feminist act, speaking about the intimidation and threats she has received as a result of translating the political writings of ‘Untouchables’. Hamid Ismailov will reflect on the experience of being widely acclaimed as Uzbekistan’s foremost novelist whilst living in political exile, and how translation has facilitated wider access to his work. We’ll have a crash-course on how to translate poetry composed partly in Braille by Indonesian disability activist Khairani Barokka, radical publisher Deborah Smith will give her view on why the world still needs independent presses, Yrsa Daley-Ward will explore the new routes to publication that young, multiple-identity writers are experimenting with across Africa and the Americas, Francesca Beard will help us find new forms of expression through a live literature master-class, and we’ll close the afternoon with the announcement of the Harvill Secker Young Translators Prize and an international poetry reading by several of our delegates.
Of course, there is much, much more that we could include. I hope the Q&A sessions will be lively debates where a multiplicity of writers, from different styles and different cultural backgrounds, can share their experiences and their hopes for the future.
The event runs at the Free Word Centre in Farringdon from 10.30am on Saturday 3 October. I hope to see you there!
Programme Director, Writers’ Centre Norwich
Books Need Readers
Hello, hello, welcome! How nice to see you. Please come in, take a seat. I'm Rowan, the new Communications Coordinator at WCN Towers.
Oh, the bookshelves? They are full, aren’t they? You’re looking for something to read? Say no more, I know just the shelf for you!
Now that you’re settled, with a stack of books next to your arm, shall I tell you a bit more? Great, I’ll begin.
These six books, with their eye-catching covers, are part of a shared reading programme called Brave New Reads
. Formerly known as Summer Reads—oh yes, Summer Reads was brilliant, thank you— Brave New Reads is in its sixth successful year.
This year Brave New Reads will take place in libraries across Norfolk, Suffolk and Cambridgeshire
. Don’t worry that you don’t live nearby- you can find lots of details about all the books online,
as well as extra resources. We’ll be reporting back from lots of the events too!
What sort of events? Oh, all sorts – there’ll be book clubs, author readings, tea parties and book quizzes. (You can take a look at our Timetable
, or pop into your local library to see what’s on.) And on the 11th of May we’ll be welcoming Hamid Ismailov, author of The Dead Lake
to the Norfolk & Norwich Millennium Library for the Norfolk Launch of Brave New Reads
Yes, that is going to be treat! Hamid has promised to read from The Dead Lake
in both Russian and English, and answer your questions. He’s had a fascinating life – he’s worked as Writer in Residence for the BBC World Service and his work is banned in his home country. The book is absolutely enchanting, too. You can buy your ticket here
, if you’d like to join me. (It’s cheaper and far better value than a coffee, only £2!)
Shall I tell you a bit more about the books? I think this year’s selection
is stronger than ever before, with a really fantastic mix of writing: poetry, non-fiction, short stories – there really is something for everybody. The six books were chosen from a longlist of over 150 titles by the Readers’ Circle – a friendly community of over 100 readers based in East Anglia - who spent months arguing over which books should make the final pick!
Let me give you the run-down:Fallen Land (by Patrick Flanery) tells the story of Poplar Farm and those who live on the acres. A chillingly tense novel, this gothic drama charts the downfall of the landowners: Louise, whose slave ancestors ploughed their blood into the earth, Paul Krovik, whose life fell apart when his property business caused bankruptcy, and the Noailles family, whose fresh start only magnifies the fault lines inherent in their clan.
Badgerlands (by Patrick Barkham) is a fascinating examination of the badger, exploring the history and future of the distinctive striped creature. Barkham investigates the badger with a fair but gentle eye, speaking to farmers and wildlife campaigners alike to create an intriguing piece of nature writing.
Prayers for the Stolen (by Jennifer Clement) tells the tale of Ladydi (no, not that Lady Di), a fierce young girl who lives in rural Mexico with her mother. Ladydi and her mother struggle to survive in the isolated region, plagued by drug cartels and toxic herbicides. You’re sure to find yourself immersed in Ladydi’s thrilling existence.
Black Country (by Liz Berry) is a soaring collection of poetry, swooping from the joy of childhood triumphs to deeper sensual pleasures. Berry’s distinct voice is characterised by her use of West midlands dialogue, creating fresh and magical language.
Any Other Mouth (by Annelise Mackintosh) is not quite a novel, and not quite a short story collection- this book can be read as either, depending on your inclination! Brutal, raw and wickedly funny, Any Other Mouth tells the compelling story of Gretchen as she stumbles through bereavement, growing up, and explicit sexual encounters.
The Dead Lake (by Hamid Ismailov, translate by Andrew Bromfield) is an enchanting novella. Fable-like, this book introduces you to Yerzhan; a seemingly-ordinary young boy who will introduce you to the world of the Kazakhstan steppes, and reveal the truth of his blighted youth: from the nuclear testing ground of his homeland to his lost love.
Heard enough? Well, you can buy all of these titles from all good bookshops, and if you pop into Norwich's Waterstones, Jarrolds and the Book Hive, they're stocking all the Brave New Reads books. Or, head to your local library and borrow the titles from there.
I’d love to know what you think of all the books! If you’re on Twitter
you can join in the chat with other book lovers under #BraveNewReads
. (Keep an eye out for competitions on there too.)
Well, thanks for stopping by. I hope you like what you saw, and that you’ll be back again soon.
Don’t forget we’ll be adding lots of extra Brave New Reads material to the website as time goes on, including a list of recommended reading, so you’ll never run out of books!
Find out more about Brave New Reads.
Find out more about the Norfolk Launch of Brave New Reads, featuring author Hamid Ismailov.
A Criminal Celebration: Announcing Noirwich Crime Writing Festival
The two men are skulking in the shadows of the cloisters. They talk in muffled voices.
“Have you heard the news?”
The short man adjusts his trench coat and pulls out a slip of paper. The paper is embossed with a black scrawl, the sleek lettering marred by a blotch of heavy red.
“You mean this?”
The tall man spits onto the floor. “This city ain’t in need of any more criminals.”
“I say we watch and wait. You got the low-down?”
“A five day criminal celebration, that’s what it is. They think they’re being so clever, doing it right under our noses. We know this ain’t no literary festival.”
They walk away from the Cathedral, the spire a dark dagger in the sky.
Noirwich Crime Writing Festival
Taking place from the 10th-14th September, Noirwich Crime Writing Festival brings the best criminal masterminds to Norwich City of Literature
for readings, events, masterclasses and more. Organised by The Crime Writers' Association
, University of East Anglia
, Writers' Centre Norwich and Waterstones
wich promises a series of brutally brilliant events for you to enjoy.
Read on for details of all the Noirwich Crime Writing Festival events:
Wednesday 10th SeptemberA Forgotten Mystery: The Life and Works of S.T. Haymon with Dr. John Curran6pm, Norfolk and Norwich Millennium Library, Free
The opening Noirwich event celebrates the life of S.T. Haymon; an unjustly forgotten crime writer. S.T. Haymon lived in Norwich for most of her life and wrote childrens’ fiction before turning her hand to murder. Dr John Curran, who describes Haymon as one of his favourite writers, will lead this event exploring her life and work. Book your free ticket | More information
New Voices, Old Places with Tom Benn, Eva Dolan and Oliver Harris7.30pm, Waterstones Castle Street, £6 / £4 conc with £3 redeemable against the price of a book at the event and a free glass of wine.
Meet Tom Benn, Eva Dolan and Oliver Harris; the next generation of crime novelists, and get a guided tour around the mean streets of crime writing. These up and coming writers will discuss how setting has influenced their writing, and their burgeoning careers. The conversation will be expertly guided by Waterstones Manager Ben Richardson. Book your ticket
| More information
Thursday 11th SeptemberThe New Hercule Poirot Mystery with Sophie Hannah and Dr. John Curran8pm, Norwich Playhouse, £12/£10 conc
Join us for the launch of the first Agatha Christie novel in almost forty years. Sophie Hannah, who is best known for her twisted psychological thrillers, will discuss the challenges and delights of resuscitating the cultural institution of Poirot and give a short reading from The Monogram Murders
. She’ll be joined on stage by Christie expert John Curran, and together they’ll discuss the life, legacy and writing of Christie, Queen of Crime.Book your ticket
| More information
Friday 12th SeptemberThe Skeleton Road: An Evening with Val McDermid 8pm, Norwich Playhouse, £12/£10 conc
Val McDermid, an icon in the contemporary crime world, joins us to launch her latest book The Skeleton Road
. McDermid, an award-winning novelist known for her chilling psychological thrillers and cutting edge procedurals, will discuss the challenges and delights of writing murderous mysteries with Henry Sutton. Book your ticket
| More information
Saturday 13th September
The Golden Age of Nordic NoirA Crime Thriller Masterclass with Henry Sutton10am-1pm, Writers’ Centre Norwich, £40 or £60 with Simon Brett Masterclass.
10.30am-4.30pm, Cinema City Education Space, £40/£30 conc
Enjoy a day dedicated to the art of Nordic Noir. Trish Sheil, film academic, and Barry Forshaw, a leading expert on crime fiction and film, will help you to explore the all-pervading influence of the Scandinavian wave. Using short clips, iconic moments in film history and their personal knowledge, the tutors will guide you through the history of Noir, focussing on the Nordic classics and then exploring French crime film and television, and the blossoming of UK crime drama.
Book your ticket | More information
Hoping to turn your hand to murder? Get to grips with your crime novel under the expert tutelage of Henry Sutton, co-director of UEA’s Creative Masters and accomplished author. You’ll work on enhancing characterisation and cementing motivations, making sure your characters are believable and well-rounded. Henry will also advise you on writing innovatively within the crime thriller genre.Book your ticket
| More information
A Detective Fiction Masterclass with Simon Brett2-5pm, Writers’ Centre Norwich, £40 or £60 with Henry Sutton Masterclass
Get your detective novel up to scratch with expert crime writer Simon Brett, author of over 90 books. Simon will guide you through the traditions of the detective novel, using classic examples to illuminate your successes and failures, and helping you to strengthen and polish your novel.
Sponsored by CWA Diamond DaggerBook your ticket
| More informationCelebrating the CWA Diamond Dagger with Simon Brett and John Harvey7.30pm, Waterstones, Norwich, £6/£4 concessions with £3 redeemable from Simon’s latest book at the event and a free glass of wine
Simon Brett and John Harvey, CWA Diamond Dagger winners, will reveal the secrets to a long and successful crime writing career, offering you an intriguing glimpse into the mind of an experienced novelist. Book your ticket | More information
Sunday 14th SeptemberNoirwich Crime Writing Festival Presents Megan Abbott2.30pm, Norwich Cathedral Hostry, £6/£4 concessions with £3 redeemable off the price of the book at the event
Megan Abbott is known for pushing the crime genre into new and compelling places, and is already being compared to Gillian Flynn of Gone Girl fame. In this rare UK appearance Magena will be joined by Henry Sutton for a discussion around the art of crime fiction, including suspense, secrets and desire. Book your ticket
| More information
The Killer Inside Me: A Noirwich Frank’s Bar Film ScreeningSunday 14th September 2014, 5pm, Free
Top off the week with a Bloody Mary and a screening of The Killer Inside Me at Frank’s Bar in Norwich. Based on Jim Thompson’s bestselling novel, The Killer Inside Me tells the tale of meek and mild-mannered deputy sheriff Lou Ford. Lou’s got problems- with women, with his job, with the corpses which just keep piling up. And then there’s his own unsavoury habits; from sadistic sex to sociopathic rages. This 2010 adaptation stars Casey Affleck, Jessica Alba and Kate Hudson, and has garnered critical acclaim and controversial commentary - there’s no need to book, just turn up!More informationAs part of Noirwich Crime Writing Festival you can buy a reduced price Festival group ticket – more details below:
If you’re attending all five of our paid-for author events, you can get a 15% discount
on the total cost. Simply add the below five events to your online shopping basket. Once all five have been selected, add the code Noirwich5
in the ‘promotion code’ box and click ‘proceed’. Your discount will then be applied.
New Voices, Old Places with Tom Benn, Eva Dolan and Oliver Harris
The New Hercule Poirot Mystery with Sophie Hannah and Dr. John Curran
The Skeleton Road: An Evening with Val McDermid
Celebrating the CWA Diamond Dagger with Simon Brett and John Harvey
Noirwich Crime Writing Festival Presents Megan Abbott
Noirwich is sponsored by Norwich BID and Right Angle Events.
Noirwich is brought to you by The Crime Writers' Association, University of East Anglia, Waterstones and Writers' Centre Norwich.
Choose the Heroines You Need: the Literary Festival in a Day
Our festival in a day took place on a idyllic summer’s afternoon at Norwich Cathedral, the spire in perfect relief against a wide blue sky, the pair of peregrine falcons taking turns around the turret.
We were lucky to have writer and tutor Rachel Hore presiding over events, a thoughtful interlocutor who fully engaged with all of the writers and the texts, drawing out the stories with aplomb.
The Lives of Great Women Writers started at pace as Hermione Lee gave a fascinating talk on Penelope Fitzgerald. Best known for The Blue Flower, Fitzgerald’s story is an encouraging one for any writer who may feel like it’s too late– she started publishing at 60, and got through 12 books by 80.
Her life story is also inspiring as a feat of endurance; after a promising start Fitzgerald went on to find hard times, starting with the scattering of her life with the coming of the war. Her beloved husband Desmond came home from war changed and struggled to ever get back on his feet. Penelope and her three children struggled financially, facing destitution when Desmond had to leave his job, and desperation when the houseboat that they were living on sank.
When her husband died, Fitzgerald finally took to writing and the experiences she’d stored up over the years formed the subjects of her first novels. But interestingly, it was when she turned away from these personal experiences that, according to Lee, Fitzgerald created her greatest work.
What was special about Fitzgerald as a writer? The clash between reason and emotion is foremost; her writing has violent troubling stuff in it (a theme throughout the day). As with the other writers present this day, Fitzgerald believed that it is the unexplored that can destroy. The dark power of the buried is what she fought with.
As such Fitzgerald was drawn to obsessives and compulsives. Her world was full of ‘exterminators’ and ‘exterminatees’ and she felt herself to be one of the latter. The world was not necessarily a kind place for Fitzgerald and this is conveyed in her work, however she valued kindness, truthfulness and fortitude. She was interested in hope.
Lee talks of the incredible condescension Fitzgerald faced in the literary world, her slightly bumbling older lady persona a foil that it was up to those around her to work out. Similarly, in her work Fitzgerald never gave everything away, she held back, leaving a great deal of mystery in there. She researched heavily but conveyed this research lightly in her perfectly formed worlds; ‘storing up knowledge and leaving it to ripen’. She said she was interested in writing fragments; a dream like series of events that shouldn’t have to cohere.
The talk flew by, Hermione Lee’s luminous phrasing leaving me inspired and wanting more, just as Fitzgerald did. Her biography is surely a work of art in itself, and highly recommended.
Unfortunately there isn’t time or space to give each event its due, so leaping through, here are some of the highlights:
Samantha Ellis talked warmly and engagingly about the genesis of her book How To Be A Heroine
; a re-evaluation of the heroines she adopted as a child.
Her story is one of self discovery through the characters she identified with when growing up, characters who offered different ways of being; alternatives to the projected life her Iraqi-Jewish family expected for her.
Reading here was fundamental, life-changing, and the audience was fully engaged when talking of their own relationships with Anne of Avonlea (interesting reading of Anne on Jezebel here
), Posy from Ballet Shoes
, Katy Carr from What Katy Did
(close to my own heart!) and of course Catherine Earnshaw v Jane Eyre.
Growing up Ellis identified with Catherine. Why? Because at the time she needed Catherine’s intensity, her selfish passion.
Interesting idea – that we choose the heroines we need at the time. There aren’t enough spinster heroines, and too often fictional girls as they grow up become boring, pale, according to Ellis. Think of Anne of Green Gables, the demise of the sisters from Little Women as soon as they settle down. And what of today’s heroines?
The choral accompaniment of evensong faded as Brian and Mary Talbot took to the stage to talk about their collaborative graphic novel, Sally Heathcote: Suffragette
The novel came out of Mary’s desire to learn about the Suffragettes more fully; and this is a theme – writers following their instinct for a story, knowing that it’ll deliver if they follow their nose.
In this case the story unearthed a rather unflattering side to the famous Mrs Pankhurst as well as many divisions in the movement. It also high-lights the very real suffering the suffragettes underwent through hunger strike and force-feeding.
Mary, who also wrote the prize-winning Dotter of her Father’s Eyes
, (next on my reading list) is working on another feminist icon for her next book; one to look forward to.
We enjoyed the tolling of the bells as the peregrines called and Diane Setterfield took to the stage.
Author of the famous The Thirteenth Tale, her new novel Bellman & Black is ghostly in a subtle way. Focussing on the power of the past, and of the dark stories we hide from, (the theme of the day), this gripping story also gives corvids a voice (Norfolk is the best county for crows, says Setterfield).
A crow is not just a harbinger of death, but also a ghostly presence that really looks us humans in the eye, and what do they make of us? Their wing breaks up the light, reflecting colour back at us from out of the dark, much as Setterfield reflects light out of the dark story that William won’t tell himself.
Finally, Raffaella Barker gave the first ever reading of her new novel, From A Distance, which is set around Norfolk and Cornwall. (Raffaella’s account of growing up in Norfolk was in the Guardian recently and makes for a fascinating read). The prime mover in the novel is Luisa, an Italian mother, who is watching her children grow up and move away. It was satisfying to hear from a fictional mother, as Ellis had earlier remarked how mothers often get a rough deal in fiction and that there isn’t enough work from their point of view. Barker also talked of how important humour is in a story, how writers should be able to make their readers laugh and cry, as well as how important place is in a novel, both fictional and geographical.
In all it was an inspiring afternoon of readings and conversation in a beautiful setting, a thoroughly enjoyable set of events. Many thanks to all of the writers involved, and to Rachel Hore for guiding us through the day with such skill.
If you’re interested in finding out more about the works and the writers involved, do see the links below:Visit Hermione Lee's website
or read a review of Penelope Fitzgerald: A Life.
Visit Samantha Ellis' website
or read a review of How to be a Heroine.Visit Mary and Bryan Talbot's website
or read a review of Sally Heathcote: Suffragette
Visit Diane Setterfield's website
.Visit Raffaella Barker's website
or read a review of From a Distance.Visit Rachel Hore's website
A Nostalgic Homecoming- Worlds Literature Festival Returns
"Nostalgia is a file that removes the rough edges from the good old days." - Doug Larson
In six short weeks Worlds Literature Festival is back, and in its tenth year too. As in previous years, we at Writers’ Centre Norwich will be welcoming internationally renowned writers from around the globe for a week of readings, events, and in depth literary discussion. (I’ll be sitting at the back of the room, doing my best to capture the debate in 140 characters.)
The theme for our tenth annual extravaganza is, appropriately, nostalgia. Over the week, through the public and private events, our writers will be exploring halcyon days of yore, rose-tinted glasses, childhood memories and the idea of home. Our first Worlds Literature Festival was pre-recession, pre-iPhone and pre-ereader – a simpler time. Yet I’m told the inaugural Worlds was as ambitious in scope and events as our tenth is.
I’m delighted that JM Coeztee, Nobel Laureate, Man Booker Prize winner, and all round literary superstar, will be returning to Norwich. I’m also looking forward to meeting Louise Doughty (Appletree Yard), NoViolet Bulawayo (We Need New Names), and Owen Sheers (Resistance). (You can view all the Worlds participants here.)
John Carey, Oxford Professor, author, critic and social commentator will be joining us at Norwich Playhouse (17th June, 7.30pm) to discuss his latest book; The Unexpected Professor and give us a personal tour of his reading history. There’ll be intimate tales of some of the literary world’s greatest heroes; from TS Eliot to Philip Larkin, accessible and interesting literary critics, and insights into a now vanished publishing industry. I must admit I’m hoping to hear scurrilous stories about the literary elite...
I am already preparing insightful comments to stammer unintelligibly at JM Coetzee. He’ll be reading at the Norwich Playhouse (19th June, 7.30pm) with Xiaolu Guo, Julia Franck and Ivan Vladislavic. Vladislavic’s novel Double Negative was one of my favourite books of last year, capturing South Africa in a time of racial segregation and in an uneasy post-apartheid reality with stunning prose. (I’m thrilled that Double Negative is also one of our Summer Reads titles!)
As an ex-pat South African, I’m sure the event with JM Coetzee and Ivan Vladislavic will raise feelings of horror and nostalgia. I’m hoping, however, that my own emotional response will be contextualised through the private salons. These feature provocations from the visiting writers, with each author or translator exploring their own experiences of nostalgia, and its function as a literary device. Whilst the provocations are only open to Worlds participants, we will be live-tweeting from @WritersCentre, blogging and recording the events- so you won’t miss out.
A series of public readings will also be taking place over Worlds Festival- priced at £2, these readings offer introductions to four or five authors and their writing. Perfect for students, keen readers and aspiring writers, the Worlds Festival Reads too often leave me with a prohibitive reading list and the urge to scribble my own stories down.
So, please join us, online or in person for Worlds Literature Festival. We’d love to have you.
Find out more about Worlds Literature Festival.
"The past is a foreign country: they do things differently there" - L.P Hartley in The Go-Between
Announcing the 2014 Norfolk and Norwich Festival City of Literature Events
The Norfolk and Norwich Festival is back, and this year it’s bigger and better than ever. We’ve programmed a series of extra special events, including an evening with *Ray Davies of The Kinks,our second Harriet Martineau Lecture, given by celebrated novelist Kate Mosse, and a day long literary festival celebrating great women writers. For the first time, our events have been inspired and dedicated to Norwich, City of Literature, bringing the best local and international writers to our fine city.
With 14 events in the City of Literature line up, I barely know where to begin – but I’ll start with Literary Death Match, the first event of the Norfolk & Norwich Festival to take place in the stunning Spiegeltent. AL Kennedy has already been confirmed as one of our judges, and the night promises raucous wordplay and spirited merriment.
If you like your literary events lively, our Live Literature events at Norwich Arts Centre are sure to be up your street. Ross Sutherland will be previewing his new show Stand By For Tape Back-Up
and Molly Naylor will be exploring the teenage experience with her show If Destroyed Still True
, with a musical accompaniment from Iain Ross- tickets for both of these shows can be bought for £14 through our joint ticket offer
. Our third event, The Shroud
, is a two man miniature epic, and is part of the [LIVE] Art Club.
After the success of our inaugural Harriet Martineau Lecture
, we’ve invited Kate Mosse (author of Labyrinth
and The Taxidermist’s Daughter
) to give the second lecture celebrating the life and legacy of radical thinker Harriet Martineau
. We’d also like to welcome you to our Norwich City of Literature Salon
, where you can get involved in your City of Literature.
I’ve been humming hits from The Kinks back catalogue as I’ve been typing, thanks to our event with lead singer Ray Davies
. Davies will talk about his new biography, Americana
, giving you an intimate glimpse into what music and fame really meant to him.
Like your writing bloodthirsty? Masters of horror, Darren Shan and Alexander Gordon Smith will be discussing writing and reading in an edge of your seat event
, which is destined to be a hit with the younger readers.
Our final Playhouse event is with Norwegian writer Karl Ove Knausgaard
, whose series of My Struggle novels was a controversial bestseller in his home country and is causing a buzz over here too. Having just read this Guardian article
, I’m already looking forward to this event (with a dollop of healthy trepidation)!
Last, but certainly not least, is our day long literary festival The Lives of Great Women Writers
. For only £20 you can buy a ticket for the full day of events, or get an individual ticket for £6. We’ll be kicking off with an event celebrating the life of Penelope Fitzgerald
, with biographer Hermione Lee, which is sure to shed a new light on the life of this intriguing novelist. Next, we’ll be joined by Samantha Ellis
who will discuss her memoir How to Be a Heroine
, and how her literary heroines (from Cathy Earnshaw to the Little Mermaid) shaped her life and writing.
Writing team Mary and Bryan Talbot created the first graphic novel to win the Costa Biography Award (Dotter of Her Father’s Eyes
). With their second graphic novel they’ve turned their focus to women’s emancipation in Sally Heathcote: Suffragette
and they’ll be discussing the challenges and delights of tackling such a tough topic in the third of our festival events
I’m eagerly awaiting our event with Diane Setterfield, having adored her novel The Thirteenth Tale (which was recently adapted for BBC). You’ll hear all about her new novel Bellman & Black, its writing process, and how her reading affects her writing. Rounding off the day will be local writer Raffaella Barker, whose latest novel From a Distance captures the secret and flaws which shape family life across generations. I’m hoping to discover how Norfolk and her writing family have influenced Raffaella’s own craft.
As I’ve been writing, tickets are already flying off the (imaginary) shelves, so I would urge you to book quickly! You can view the whole City of Literature Festival Programme here
, and individual tickets are available for all our of events.
In the meantime, I’m off to have a proper hunt through the entire Norfolk & Norwich festival line-up
– I’d hate to miss anything!
*Suggested musical accompaniment for this blog:
Here be Dragons- a Tour of Norwich
There are dragons hiding in Norwich. And they’ve been hiding for years.
But from the 10th-23rd February Norwich’s dragons are coming out to play and you’re invited to join them at the Norwich Dragon Festival. Over the three weeks there’ll be exhibitions, displays, performances, talks and quests, all focussed around the scaly fire-breathers themselves.
Whilst we’ve managed to coax most of the dragons out from their lairs, some are too busy guarding their piles of treasure. Luckily, through our special tour of the city and with some canny wordplay, you’ll be able to track down all of the city’s dragons, and discover their hidden secret. If you’re brave enough to face the dragons’ flame, that is.
The Dragon’s Spell City Trail
The Dragon’s Spell city trail will have you peering round corners cautiously and puzzling through poetic clues. George Szirtes
, award-winning poet, has written a specially commissioned poem which hides a secret code – crack the code and you can enter a competition to win your very own dragon.
Pop into the Forum, the Tourist Information Centre or intu Chapelfield to pick up a map and an entry form, and explore the city centre in a whole new way. Once you’ve finished the tour (singe-free, we hope), drop off your entry form at intu Chapelfield Information Desk to pick up your limited edition poem postcard and to enter the prize draw.
You can also enjoy a free live reading of The Dragon’s Spell
with George Szirtes, Robyn-Astrid, Meghan Purvis and Keiron Pim, at the stunning Assembly House on the 18th Feb. The evening promises to be an extravaganza of music, monsters and poetry, and if you’d like to join the performers there are also open mic spots available.
Find out more about the Norwich Dragon Festival
Book your free ticket to The Dragon’s Spell reading event
Norwich Dragon Festival is organised by Norwich’s Heritage Economic and Regeneration Trust (HEART), with support from Norwich Business Improvement District (BID), The Forum and the Norwich Town Close Estate Charity.
Translating the Poetry of the Holocaust - The Project So Far
Translating the Poetry of the Holocaust is a new research project led by Professor Jean Boase-Beier of the University of East Anglia. Supported by Writers' Centre Norwich, Translating the Poetry of the Holocaust includes a public exhibition, workshops and a book display at The Forum on Monday the 4th and Tuesday the 5th of November. Read this blog by Research Assistant, Marian De Vooght, to find out more about the project:
Poetry about the horrors and traumas of the Holocaust is perhaps an unlikely topic for an ‘event’. The question about what it means to translate such poetry—from numerous languages into English—is probably even less expected as the starting point for a exhibition. If you are curious and would like to know more about what will be happening in the Forum, please read further for our plans for the event.
Visitors to the exhibition will get an idea about the scope of the languages used by victims, survivors and others for writing their poems. From the 1930s to 1945 the Nazi regime persecuted people from all over Europe and deported them to concentration camps. Women, children, men of many different backgrounds and cultures. We’ll draw attention to as many different groups as possible, show places they came from, display examples of the poetry that represents them, and show how it can be translated into English.
A book display organised by the Millennium Library will support the exhibition. You will have a chance to leaf through memoirs, poetry, fiction and information books, all relating to the Holocaust.
We would like to give people an idea about why Holocaust poems have been written. Who are the poets, where did they come from and what was their fate? We want to raise awareness that Holocaust poems continue to be written. How are poets of today still reacting to the Holocaust? Why, indeed, couldn’t any of us respond to the past in a poem? Thinking about this may help you relate to the problems translators face when dealing with Holocaust poetry. What motivates translators and how do they create new versions of these poems that do justice to the original? We want to get across why it is important to keep reading, writing and translating Holocaust poems.
What happens to readers when they read a Holocaust poem depends to a large extent on their knowledge of the original language and/or on the way the poem has been translated. By reading different translations of the same poem, you can get an idea of what are the most important words or key images and emotions in the original. The two workshops organised during the exhibition days will further explore what is happening during translation—but more on this will follow in October.
Besides the workshops, there will be poetry reading in the library. In January 2014, more of these readings will take place in The Bookhive in Norwich, as well as in The European Bookshop in London. This Autumn, Professor Boase-Beier will also give talks about her research on translating the poetry of the Holocaust at the universities of Edinburgh (15 November) and Newcastle (28 November).
Jean Boase-Beier is also teaching two free workshops on Translating the Poetry of the Holocaust.
On the 4th of December, 5pm, Jean will give a workshop at the University of East Anglia. Contact J.Boaseemail@example.com if you want to come.
Find out more about the project
Best of British and Novelists’ Fears
The third day of Worlds Literature Festival brought muggy sunshine and an evening event with two of Granta’s Best of Young British Novelists; David Szalay and Evie Wyld, hosted by Ted Hodgkinson of Granta. Both David and Evie read from their extracts featured in Granta’s Best of Young British Novelists 4.
David read first, from his novel in progress, Europa, a novel which will take the form of a number of 10-15 thousand word novellas, linked by ideas of transnationality:
Evie followed with a reading from her just-published novel All the Birds, Singing
Best of Young British Novelists 4
is an anthology that collects work from young writers who show potential and skill and, as such, the writing isn’t linked by theme or style. Instead it aims to showcase the best sample of writing, which is representative of the chosen author’s style. Consequently, David and Evie’s writing is very different, yet their discussion of writing had several common threads.
As the title suggests, the recurring motif of the evening was one of fear. (Not that the audience was scared, mind you- although Evie’s reading was very creepy.) Evie explained that she’d grown up reading horror, from the Point Horror books, to Stephen King, to Silence of the Lambs
, and that as a child she’d always thought she’d write horror books. And, in a way, she does.
The fear in Evie’s novels is an oblique suppressed horror- it is a fear created by the self, and all the more terrifying because of the illogical indefinableness of it. Evie commented that she liked ghost stories, especially family ghost stories, saying that she didn’t believe in ghosts, but she did believe in people seeing ghosts.
Evie followed this by talking about her preoccupation and fear of sharks, and laughed that she’s always having to take sharks out of her book- so there are far more sharks lurking in the first draft than the final draft!
David has a knack for picking out the grotesque in ordinary people, creating fear and repulsion in the hidden shadows of humanity. He said that he found it amusing how often he found something in his book funny, and when somebody else read the same section they would find it depressing or horrifying. David then commented that “to the writer, the characters in the story are less real than to the reader” and as the creator, the author will not fear the demons and horrors in their own work. (Unlike their readers!)
Of course, the fear that both David and Evie have to confront is the worry of not living up to the expectations placed upon them by being chosen as two of the best writers of their generation. Previous Best of Young British Novelists include Martin Amis, Iain Banks, Pat Barker and Jeanette Winterson- proving that the mantel is an impressive but intimidating prospect. But we don’t think they have anything to worry about at all.
Listen to a podcast of the event below:
Take a look at some of the photos from Worlds Literature Festival.
A Writer's Dilemma: Tove Jansson, More than the Moomins.
I have a dim memory of being read the Moomins as a child, poking at the chubby creatures with my equally chubby fingers. I also have a copy of The Summer Book
sitting on my ever increasing ‘To Be Read’ pile at home. Still, before the Tove Jansson: Between Light and Dark event, Tove Jansson was nothing but a shadowy figure. Now, post event, The Summer Book
has been moved to the top of the pile. I’m determined to re-read the Moomins back catalogue, and I’m desperate to find out more about the elusive figure of Tove Jansson.
On the panel was Rebecca Swift (of The Literary Consultancy), poet and Jansson fan, Esther Freud (author of Hideous Kinky
), who wrote the foreword to The Summer Book
; actor Samuel West (Howard’s End), voice of the Moomin app and Icelandic writer Sjón, who recently collaborated with Björk on her Moomins and the Comet Chase soundtrack. The event began by Rebecca inviting the panel to talk about what Tove’s work meant to them. Fascinatingly, our panellists’ child selves seemed to be drawn to the Moomins because of the thin edge between light and dark in her work, and her truthfulness as a writer. As adults, they love Tove’s work for similar reasons, but are also drawn to her wry observations on humanity (or Moominity?!).
Throughout the discussion it became clear to me that the Moomins held a very special place in the hearts of not only our panellists but in our audience’s too. The centre of the discussion seemed to be on Tove’s artful way of combining conflicting emotions, and the subsequent creation of bittersweet tableaus. Indeed, our panellists seemed to agree that bittersweet was the best word to describe Tove’s writing.
For me, what stood out the most from the event was the image of Tove as a determined artist and a writer who was absolutely dedicated to her craft. She went to extraordinary lengths to be able to create, going as far to living on a tiny island (think the size of a large living room). On the miniscule windswept island there was a small house, which you’d assume would be the living space – yet Tove lived in a tent to preserve the house as a workspace, and to resist the bleeding over of relaxation into work. I find that both extraordinary, and inspiring.
She was an artist who wanted to pursue her craft first and foremost, and came to almost abhor the Moomins, because drawing the Moomins left her no time to experiment and try new things. Of course, the popularity of the Moomins also came to mean that she was first and foremost known as the creator of the Moomins and her other artistic pursuits were all but ignored.
Eventually, Tove handed on the work of drawing the cartoon to her brother Lars, giving her the freedom to pursue her other creative urges. It was lucky that she did, as it gave her the time to write her adult fiction, including The Summer Book
(which both Esther and Sjon raved about as being one of the best books they've ever read.).
I think anyone who fancies themselves as an artist, or a writer, could do a lot worse then using Tove Jansson as an icon. Hugely successful, Tove was always striving to achieve and create, never resting on her laurels, and always focussing on her art- what more could you want in a hero?
Take a look at the story of the evening on Storify
Listen to podcasts of the event on Soundcloud.
Watch Esther read from Comet in Moominland
Watch Sam and Sjón discuss Tove Jansson and read from her work:
Take a look at photos from Worlds 13:
A Special Evening of Poetry for an Extra Special Price
On the 13th May, Writers’ Centre Norwich will be host to a trio of poets at Norwich Playhouse. Organised in collaboration with The Rialto Magazine, poets Don Paterson, Sophie Hannah and Hannah Lowe will be opening Words & Ideas at the Norfolk & Norwich Festival. And, even if we do say so ourselves, this is one event you won’t want to miss. Especially as you can buy tickets half price.
The evening promises to be a delightful exploration of contemporary poetry- I can’t wait to hear all of the poets, but I am particularly looking forward to hearing Sophie Hannah read again.
I was lucky enough to hear her read at the EDP Book Awards last year, and felt connected with the text in a way which I hadn’t experienced when reading her poetry at home. (It also persuaded me to dig out her collection of Selected Poems when I got home, and to re-imagine the slants and emphasis of the writing.)
Sophie Hannah’s poetry is clever, witty, and undeniably wicked. Her writing has a vicious, razor sharp edge. Sophie takes everyday incidents, and spins them into bittersweet poems, writing with grace and intelligence. It’s little wonder that she has been shortlisted for the TS Eliot Prize, while her bestselling psychological thrillers continue to receive critical acclaim.
For a taster of Sophie’s poetry, you can watch her read If People Disapprove on YouTube.
While Sophie Hannah is sure to make you laugh, Don Paterson
will make you shift forward in your seat, alert and straight-backed.
Paterson has won most of the poetry prizes around; from the Forward Prize to the TS Eliot Prize (twice). His accolades speak for themselves, but don’t capture the scope and quality of his work. Don Paterson writes lyrically on fable and charm, creating an intimate exploration of the moments that unite us all.
Don Paterson’s reading is sure to be both thought provoking and moving, and a perfect foil for Sophie Hannah and Hannah Lowe’s readings.
Don Paterson reads Rain:
Last, but certainly not least, Hannah Lowe
will also be reading at the event. Hannah published her first full-length collection, Chick
, earlier this year. Described as an “extraordinary debut”, the publication heralds a fresh and outstanding voice into the world of contemporary poetry.
Hannah joined us last year to read at The Norwich Showcase
and you can watch her reading on YouTube:
Lowe’s sensory poetry is deeply personal. Chick
is named after her father, and it tells the story of his extraordinary character, a Chinese-black Jamaican migrant who gambled professionally. Hannah’s poems capture an emotional truth, but always resist sentimentality with peculiar beauty.
This Rialto event promises to introduce you to a world of brilliant poetry, bringing established and emerging poets together for an evening of immersive entertainment. And, I for one, can’t wait.
Get your tickets now.
Guest Blog Post: The Inner Melody of Julian of Norwich's Writing
In advance of Julian Week (6th-10th May), Louise Øhrstrøm, co-ordinator of Julian Week, blogs about the upcoming event with Mikael R Andreasen and Edwin Kelly.
Two international guests will be visiting Norwich for the upcoming Julian Week (6th-10th of May). Danish Mikael R Andreasen will be playing songs he has composed on Julian's lyrics. Irish Edwin Kelly will be reading from his experimental translation of Julian's writings. Louise Øhrstrøm has asked the two artists what they find fascinating about Julian of Norwich as a writer.
In 2010 Mikael R Andreasen's Danish band Kloster released their critical acclaimed fourth album, The Winds and Waves Still Know His Voice, which holds songs based on Julian of Norwich’s Middle English lyrics. Kloster was booked for Roskilde Festival (the biggest music festival in Northern Europe) in 2011 because of that album and has played at a number of venues in Europe.
Mikael R Andreasen heard about Julian from a friend and soon learned that Julian's words somehow seemed really easy to put into melody:
“It was as if the passages contained some sort of inner melody themselves. Later, when I started reading Julian's complete work in English, I noticed, that also just by reading, the text seemed very rhythmic and had an almost melodic ease or flow to it”, Mikael explains.
Edwin Kelly became interested in Julian when he did an MA in Poetry at University of East Anglia. He currently works on an experimental translation of her texts, inspired by an ancient tradition of editing manuscripts:
“I work with Julian's texts in a way I feel it has been worked with throughout the last 600 years or so - simply as an engaged reader who wants to know more. In medieval times this engagement may have been mainly looking for devotional and spiritual guidance. In an academic context, this engagement may look at the production of the text itself. Personally, I'm most interested in the emotional power of the text and how this has been maintained through the centuries. I work with the text as a document of the experience and as a physical object”, Edwin says.
Both artists find that there is something about Julian's voice that makes her writings relevant even for a modern reader.
Edwin explains: “The texts themselves are consistently surprising. Just when I feel I have categorised them, something in their style will lead me to question my assumptions. I think Julian's texts are, to some extent, taken a little for granted. Often, interest is in relation who she is rather than what she wrote. I think people will be pleasantly surprised if they take the time to read and respond to what she wrote. It will deepen their appreciation of a fascinating and surprising figure”.
Mikael R Andreasen particularly likes the way in which Julian talks about suffering and love:
“Today it seems like whenever love hurts a tiny bit, people tend to throw it away in search for any kind of new 'suffer-absent-love.' It is as if we have created a culture where we are trying to avoid suffering at all cost. In such a culture, I find it both interesting and provoking to read how Julian almost asked for an experience of suffering in order to understand what love is all about.”
Meet Mikael R Andreasen and Edwin Kelly at Julian Week at the Comforting Words event.
For more info, please visit the Julian Week website.
Other Julian Week events include:
Julian of Norwich: Poetry Writing and Critical Reading Workshop by poet Edwin Kelly and PhD student Louise Øhrstrøm
Julian of Norwich as a Poet: Language and the Search for Meaning in A Showing of Love
Translating the Poetry of the Holocaust- A New Collaborative Project
“Translating the Poetry of the Holocaust” is the title of a major new research project led by Professor Jean Boase-Beier at the University of East Anglia, working in partnership with Writers’ Centre Norwich, and including a number of public events.
Historical documents and eye-witness accounts have given us the facts about the mass-murder, degradation and annihilation of whole communities in Europe between the early 1930s and 1945.
“Translating the Poetry of the Holocaust” aims to explore the legacy of poetry created during the Holocaust, as poetry does more than document facts; it invites the reader to engage. Poetry can have a profound emotional effect on its reader, and it is through this emotional connection that we can keep events such as the Holocaust alive in peoples’ memories.
The difficulty in translating this poetry is ensuring that the translation is still interesting and meaningful for readers so far removed in time and place, whilst preserving the original message and meaning of the text. Professor Jean Boase-Beier will be translating the poetry with others, and hopes to further share the work with anyone who has an interest in the Holocaust, or in translated poetry.
Much of the Holocaust poetry we are familiar with is in English translation, written by members of the Jewish communities who were interred in camps, or detained in ghettos, and managed to flee abroad. Boase-Beier is keen to find examples of Holocaust poetry in other languages such as Italian, French or Hungarian, and intends to include poetry written by victims and survivors who were not Jewish.
This project will result in an academic book, and an anthology of the poetry translated by Jean Boase-Beier and other writers. There will also be a series of public events, and an exhibition. Professor Boase-Beier hopes that anyone who is interested in the Holocaust, poetry, translation, or the movement between culture and languages will attend the events.
The first public event in Norwich will be a Café Conversation held by Jean Boase-Beier, in the UEA Café Conversation series run by BJ Epstein. This takes place on 26th April at 2 pm in the White Lion Café, and is entitled “What’s the Point of Holocaust Poetry?". Please come along if you are interested- there’s no need for you to have been to any of the other Café Conversations. (Find out more about Café Conversations)
Later on in the year there will be an event in a local Norwich bookshop, and on 4th and 5th November there will be a free exhibition on Holocaust poetry and its translation at the Forum. There will also be two workshops, one on each day, and a poetry reading in the Library Training Room on 5th November.
On December 4th there will be a Translation Workshop on Holocaust poetry from 5-7 pm at UEA. This is part of the series of Workshops for the MA students, and, like all Translation Workshops in the series, it is open to members of the public and is a unique opportunity to see what MA students are learning about translation, and to join in. For further details on the workshops contact Dr Cecilia Rossi on firstname.lastname@example.org.
For further details on "Translating the Poetry of the Holocaust", contact Prof Jean Boase-Beier on email@example.com
High Impact- A Literary Tour with a Difference
As a book nerd of the highest order I go to a lot of literary events. A lot of signings, talks, discussions, readings- as long as there’s books involved I’m there. However, sometimes there’s an event that looks so brilliant I know that I’m going to tell all of my friends to come. High Impact is one of those events.
High Impact takes place over six days, across six cities, and features six best-selling and prize winning authors. The writers all hail from neighbouring countries Belgium and the Netherlands, and include authors Chika Unigwe and Herman Koch.
I heard Chika read earlier this year at Worlds from her latest novel, Night Dancer. I have rarely enjoyed a reading so much, or felt a room fall into such a deep silence. Chika has the gift of writing brilliantly, and the much-sought after but only occasionally achieved, gift of speaking brilliantly too. Her reading conjured up Africa and created a character so vivid that if you closed your eyes you could imagine her standing in front of you. I cannot wait to hear from her again, and would highly recommend her novels.
Herman Koch’s The Dinner is one of my best books of the year. Described as a cross between The Slap (Christos Tsiolkas) and We Need To Talk About Kevin (Lionel Shriver), The Dinner is a wicked narrative of crises and parental collusion. Interestingly Herman Koch also works as a comedy actor- so his reading is sure to be brilliant.
High Impact will arrive at Norwich Arts Centre on the 18th January, and you can buy your ticket from them online.
The other visiting authors include Lieve Joris, Poet Laureate Ramsey Nasr, Peter Terrin, a psychological thriller writer, and Judith Vanistendael, a graphic novelist. See below for a little more information about these writers:
Lieve Joris: whose journalism & non-fiction books on Africa, China, the Middle East & Europe have earned her the reputation as the VS Naipaul or Ryszard Kapuscinski of the Low Countries. Author of the acclaimed The Rebel’s Hour (Atlantic, 2008):
‘Powerful and timely, intensely imagined.’ - Paul Theroux
Ramsey Nasr: the Dutch Poet Laureate & all-round Renaissance Man (actor, director, poet, journalist & librettist), famed for his beautiful prose, provocative politics & exciting public appearances. Heavenly Life was published by Banipal in 2010.
‘With this collection Anglophone readers are introduced to a poet of global scope.’ – Marilyn Hacker
Peter Terrin: this year’s winner of the prestigious AKO Literature Prize & author of the magnificent psychological thriller The Guard (Maclehose Press, 2012):
'A rich and gripping mix of all the ingredients that make for a truly haunting atmosphere.' - Writers' Hub
Judith Vanistendael: the Posy Simmonds of Belgium; the bold & brilliant graphic novelist of When David Lost His Voice (Self Made Hero, 2012):
‘Big, bleak, brilliant and stark.’ – The Economist
High Impact is sponsored by Flanders House and the Netherlands Embassy in London and curated by Rosie Goldsmith. To find out more about the tour visit the High Impact website.
Add a Dash of Salt
The Man Booker is probably the most important award in the UK book industry calendar. Perhaps even the world. So when we at Writers’ Centre Norwich heard that The Lighthouse, written by Alison Moore and published locally by Salt, had been longlisted for the Man Booker we cheered. And when we heard it’d been shortlisted we proposed opening a bottle of champagne and toasting to their success. (Sadly, we don’t keep champagne on ice in the office, so instead celebrated with biscuits and fresh cup of tea.)
Hilary Mantel was announced as the winner, yet the effects of the Man Booker shortlist are longlasting, as demonstrated by book sales and prestige. The publicity afforded by the Man Booker is undeniably beneficial- Alison Moore has already been approached regarding a film adaptation. The Lighthouse is a stunning novel which explores relationships through an almost painfully close magnification of the protagonist’s life. Throughout the novel, scent plays a crucial part, triggering memories and driving the narrative forward. It is rare to read a debut novel so accomplished and pitch-perfect.
That being the case we’re delighted to announce that Alison will be visiting Norwich for a special event with Salt on the 23rd November.
Salt Publishing, supported and hosted by Writers’ Centre Norwich and others, will be presenting an evening of literary brilliance at the Norfolk and Norwich Millennium Library. Authors Alison Moore, Derek Neale and Jonathan Taylor will be reading and discussing their work, while Directors Chris and Jen Hamilton-Emery will be introducing.
Alison Moore is also an accomplished short-story writer, and has been shortlisted for the Bridport Prize, the Bristol Short Story Prize, and the Manchester Fiction Prize, to name a few. Derek Neale is an award-winning writer of short stories and scripts, and has just had his first novel, The Book of Guardians published by Salt. Jonathan Taylor is the author of Entertaining Strangers and the memoir Take Me Home and is a Senior Lecturer in Creative Writing at De Montford University. Together, these writers will read from their own work and discuss the craft of writing.
Based in Cromer, Salt has been publishing high-quality literature since 1999. With an impressive established range of poetry and literary fiction, Salt has always been at the forefront of independent publishing in the UK.
Don’t miss this opportunity to celebrate the best in literary (and local) independent publishing.
Complementary soft drinks will be provided and books will be sold after the event courtesy of Waterstones.
Tickets are £2 and available from Norfolk and Norwich Millennium Library and Waterstones Castle Street.
Visit the event page.